Dancers Vyjayanthi Kashi and Prateeksha Kashi in the relationship the mother-daughter duo stocks on / off the phase

Dancers Vyjayanthi Kashi and Prateeksha Kashi in the relationship the mother-daughter duo stocks on / off the phase

The duo walks straight straight down memory lane to provide insights within their characters, approach to the office and a crucial assessment associated with the other as being a Kuchipudi artiste

Vyjayanthi Kashi and Prateeksha Kashi share a relationship which has had facets that are many guru and shishya, co-performers on phase and mom and child. Whenever Prateeksha performed a Kuchipudi solamente in the Soorya Festival into the Parampara show, where young dancers spend their tribute with their experts, and Vyjayanthi dparampara — the tradition — alive.

A free-flowing discussion with the duo had not been merely a stroll down memory lane but in addition offered insights within their characters, approach to get results and a crucial assessment of this other being a Kuchipudi artiste.

Vyjayanthi used Kuchipudi at time if the trained in together with training of this party type had been confined primarily to Andhraites. The dancer, who had learnt Bharatanatyam, wished to pursue a dance field that is different. Taking motivation from an aunt who’d pursued Odissi, Vyjayanthi made a decision to discover the party kind. She later chose to train under Kuchipudi Guru CR Acharya after viewing him perform Chitra Natyam.

“He used to phone me personally their dance daughter! ” says Vyjayanthi by having a laugh, as she remembers the experts whom moulded her — Ramanna, Vedantam Prahlada Sarma, Korada Narasimha Rao, Satyanarayana Sarma and Vempatti Chinnasatyam and others.

For Prateeksha, it absolutely was a various tale. She was in fact viewing and dance that is absorbing her house. Nevertheless, whenever it stumbled on learning a party type, her mom left the option to her — along with her option had been Odissi! “But I discovered it too tough to discover; the instructor had been strict and irregular. And so I made a decision to offer it a skip, ” says Prateeksha, whom went back again to Kuchipudi.

Although in the beginning she had been playful and slutty during her classes, seeing a lot more of her mom within the Guru, she matured to the part of a severe pupil over the years.

Vyjayanthi Kashi and child Prateeksha Kashi | Photo Credit: Unique arrangement

Now, being title to take into consideration, how exactly does Prateeksha see by by herself? “I am nevertheless wanting to soak up whenever you can from my mom. While planning for a production that is new she constantly seeks my views and lets me experiment. During the brief minute, i will be pleased to simply take inspiration from her work. She’s overseeing my work I can venture on my own, ” says Prateeksha until I get a firm foothold, when.

Vyjayanthi has generated unique productions that feature the duo that is mother-daughter. One of these, on the basis of the colour red, had been presented recently in america and Canada. “Red evokes different emotions”’ says Prateeksha, elaborating in the theme. “The red bindi additionally the gown for the bride evoke shringara, while for small Prahlada, the red bloodstream gushing away from Hiranyakashyap, killed by Narasimha, create fear, bhayanaka. Therefore, for the presentation, we linked red to the navarasas. ”

‘Antaranga tharanga’ is just a manufacturing on the basis of the theme of motherly love. With Sita along with her mom, Bhoomi Devi, given that main figures, this dance assumes on another hue entirely when done because of the mom while the child.

Doing together

Therefore, what truly is it like to do together on phase? There was synergy that is tremendous agrees the duo. “Sometimes, we notice Prateeksha emoting in brand brand brand new methods that can come as a wonderful surprise, ” claims Vyjayanthi, incorporating that every pupil has her/his very very own unique method of expressing a bhava.

The aspect that she admires many inside her child could be the lasya in her own party “This is probably because she’s a lady guru, whereas i’ve been trained mostly by male experts while the thandava comes easily if you ask me, ” claims Vyjayanthi. She continues on to express that she really loves her daughter’s subtlety additionally the nuances she provides to her expressions.

Prateeksha, on her behalf component, admires her mother’s spontaneity that often challenges her when she works alongside. She additionally appreciates involvement that is vyjayanthi’s any character, from the comfort of whenever a manufacturing is conceptualised. “She is likely to be thinking, getting a few variations associated with the script and accepting it only if it reflects precisely what she really wants to convey, ” says Prateeksha.

One notices the section of spirituality and insights that are philosophical Vyjayanthi imparts to her productions. “It arises from my experience. The virtue and goodness besides, the very purpose of art is to convey the sattva. Without sattva, there’s no dance. The thing I attempt to do would be to just take a subject that is spiritual interpret it in a modern way to get in touch with the viewers, ” concludes Vyjayanthi.

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